

An electrifying story of science, faith, love, and self-destruction in a world on the brink.
It is a June unlike any other before, with temperatures soaring to asphyxiating heights. All across the world, freak weather patterns—and the life-shattering catastrophes they entail—have become the norm. The twenty-first century has entered a new phase.
But Gabrielle Fox’s main concern is a personal one: to rebuild her life after a devastating car accident that has left her disconnected from the world, a prisoner of her own guilt and grief. Determined to make a fresh start, and shake off memories of her wrecked past, she leaves London for a temporary posting as an art therapist at Oxsmith Adolescent Secure Psychiatric Hospital, home to one hundred of the most dangerous children in the country. Among them: the teenage killer Bethany Krall.
Despite two years of therapy, Bethany is in no way rehabilitated and remains militantly nonchalant about the bloody, brutal death she inflicted on her mother. Raised in evangelistic hellfire, the teenager is violent, caustic, unruly, and cruelly intuitive. She is also insistent that her electroshock treatments enable her to foresee natural disasters—a claim which Gabrielle interprets as a symptom of doomsday delusion.
But as Gabrielle delves further into Bethany’s psyche, she begins to note alarming parallels between her patient’s paranoid disaster fantasies and actual incidents of geological and meteorological upheaval—coincidences her professionalism tells her to ignore but that her heart cannot. When a brilliant physicist enters the equation, the disruptive tension mounts—and the stakes multiply. Is the self-proclaimed Nostradamus of the psych ward the ultimate manipulator or a harbinger of global disaster on a scale never seen before? Where does science end and faith begin? And what can love mean in “interesting times”?
With gothic intensity, Liz Jensen conjures the increasingly unnerving relationship between the traumatized therapist and her fascinating, deeply calculating patient. As Bethany’s warnings continue to prove accurate beyond fluke and she begins to offer scientifically precise hints of a final, world-altering cataclysm, Gabrielle is confronted with a series of devastating choices in a world in which belief has become as precious - and as murderous—as life itself. (from Barnes and Noble)
Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of these deadbeats is her father—the one responsible for ruining her mother's life. Then she's captured by Bones, a vampire bounty hunter, and is forced into an unholy partnership.
In exchange for finding her father, Cat agrees to train with the sexy night stalker until her battle reflexes are as sharp as his fangs. She's amazed she doesn't end up as his dinner—are there actually good vampires? Pretty soon Bones will have her convinced that being half-dead doesn't have to be all bad. But before she can enjoy her newfound status as kick-ass demon hunter, Cat and Bones are pursued by a group of killers. Now Cat will have to choose a side . . . and Bones is turning out to be as tempting as any man with a heartbeat. (from Barnes and Noble)
and the book:
Who Made You A Princess? (All About Us Series, Book 4)
FaithWords (May 13, 2009)
What’s all the hubbub about Amish fiction? Major media outlets like Time and ABC Nightline are covering it, and authors like Cindy Woodsmall are making the New York Times bestseller list regularly. What makes these books so interesting?
Check out the recent ABC Nightline piece here about Cindy and her titles When the Heart Cries, When the Morning Comes, and When the Soul Mends. It’s an intriguing look at Amish culture and the time Cindy has spent with Amish friends.
And don’t forget that Cindy’s new book The Hope of Refuge hits store shelves August 11, and is available for preorder now.
Shep’s murder sends the Stanley family into a tailspin, with each member attempting to cope with the tragedy in his or her own way. Irene’s approach is to live, week after week, waiting for Daniel Robbin’s execution and the justice she feels she and her family deserve. Those weeks turn into months and then years. Ultimately, faced with a growing sense that Robbin’s death will not stop her pain, Irene takes the extraordinary and clandestine step of reaching out to her son’s killer. The two forge an unlikely connection that remains a secret from her family and friends.
Years later, Irene receives the notice that she had craved for so long—Daniel Robbin has stopped his appeals and will be executed within a month. This announcement shakes the very core of the Stanley family. Irene, it turns out, isn’t the only one with a shocking secret to hide. As the execution date nears, the Stanleys must face difficult truths and find a way to come toterms with the past.
Dramatic, wrenching, and ultimately uplifting, The Crying Tree is an unforgettable story of love and redemption, the unbreakable bonds of family, and the transformative power of forgiveness. (from Barnes and Noble)
About the author: NASEEM RAKHA is an award-winning broadcast journalist whose stories have been heard on NPR. She lives in Oregon’s Willamette Valley.
Read an excerpt of The Crying Tree.
The Crying Tree
Publisher/Publication Date: Broadway Books/July 7, 2009
ISBN-13: 978-0-7679-3140-3
368 pages
Vicki Forman gave birth to Evan and Ellie, weighing just a pound at birth, at twenty-three weeks’ gestation. During the delivery she begged the doctors to "let her babies go" — she knew all too well that at twenty-three weeks they could very well die and, if they survived, they would face a high risk of permanent disabilities. However, California law demanded resuscitation. Her daughter died just four days later; her son survived and was indeed multiply disabled: blind, nonverbal, and dependent on a feeding tube.
This Lovely Life tells, with brilliant intensity, of what became of the Forman family after the birth of the twins — the harrowing medical interventions and ethical considerations involving the sanctity of life and death. In the end, the longdelayed first steps of a five-year-old child will seem like the fist-pumping stuff of a triumph narrative. Forman’s intelligent voice gives a sensitive, nuanced rendering of her guilt, her anger, and her eventual acceptance in this portrait of a mother’s fierce love for her children. (from Barnes and Noble)
Struggling with his new physical disability and severe depression, Quinn turns to whiskey, scorn, and a job as a night watchman to numb the pain. But when a pastor and dancer are found dead in an apparent murder-suicide, the pastor’s sister approaches Quinn for help.
Reluctantly, Quinn takes the case and is plunged into the perilous Orlando. Soon he discovers that, not only was the pastor murdered, but the case may be linked to his and Trisha’s ambush. Torn between seeking revenge or responsibility, Quinn is thrust into the case of his life.
Author Mark Mynheir gives readers his most profound police thriller to date with The Night Watchman (first book in The Night Watchman Private Detective Agency Series). Readers of all ages will devour this gripping murder mystery that bristles with tension and intrigue. In a taut cop-style all his own, Mynheir delivers an inside look at the thoughts, feelings, fears, and challenges police officers experience while investigating violent crimes and the lost souls who commit them.
About the author: A detective with the Criminal Investigations Unit of the Palm Bay Police Department, Mark Mynheir investigates violent crimes and writes riveting Christian fiction. A U.S. Marine with a passion for martial arts and firearms training, Mark has worked on narcotics units, SWAT teams, and myriad high-risk situations. His four novels offer a realistic glimpse into the gritty world of law enforcement and the rarely seen raw emotions behind the badge. Mark lives in Florida with his wife and three children.
Night Watchman
Publication Date: May 2009
ISBN 13: 978-1-59052-935-5
352 pages
Thanks to Staci at RandomHouse I have one copy of The Night Watchman to giveaway!
Rules:
Shreve’s novels draw on her diverse experiences as a teacher and journalist: she began writing fiction while teaching high school, and was awarded an O. Henry Prize in 1975 for her story, “Past the Island, Drifting.” She then spent several years working as a journalist in Africa, and later returned to the States to raise her children. In the 1980s, she wrote about women’s issues, which resulted in two nonfiction books -- Remaking Motherhood and Women Together, Women Alone -- before breaking into mainstream fiction with Eden Close in 1989.
This interest in women’s lives -- their struggles and success, families and friendships -- informs all of Shreve’s fiction. The combination of her journalist’s eye for detail and her literary ear for the telling turn of phrase mean that Shreve can spin a story that is dense, atmospheric, and believable. Shreve incorporates the pull of the sea -- the inexorable tides, the unpredictable surf -- into her characters’ lives the way Willa Cather worked the beauty and wildness of the Midwestern plains into her fiction. In Fortune’s Rocks and The Weight of Water, the sea becomes a character itself, evocative and ultimately consuming. In Sea Glass, Shreve takes the metaphor as far as she can, where characters are tested again and again, only to emerge stronger by surviving the ravages of life.
A domestic sensualist, Shreve makes use of the emblems of household life to a high degree, letting a home tell its stories just as much as its inhabitants do, and even recycling the same house through different books and periods of time, giving it a sort of palimpsest effect, in which old stories burn through the newer ones, creating a historical montage. "A house with any kind of age will have dozens of stories to tell," she says. "I suppose if a novelist could live long enough, one could base an entire oeuvre on the lives that weave in and out of an antique house."
Shreve’s work is sometimes categorized as “women’s fiction,” because of her focus on women’s sensibilities and plights. But her evocative and precise language and imagery take her beyond category fiction, and moderate the vein of sentimentality which threads through her books. Moreover, her kaleidoscopic view of history, her iron grip on the details and detritus of 19th-century life (which she sometimes intersperses with a 20th-century story), and her uncanny ability to replicate 19th-century dialogue without sounding fusty or fussy, make for novels that that are always absorbing and often riveting. If she has a flaw, it is that her imagery is sometimes too cinematic, but one can hardly fault her for that: after all, the call of Hollywood is surely as strong as the call of the sea for a writer as talented as Shreve.(from Barnes and Noble)