Synopsis (from Barnes and Noble)
In 1931 Carbon Hill, a small Alabama coal-mining town, nine-year-old Tess Moore watches a woman shove the cover off the family well and toss in a baby without a word. For the Moore family, focused on helping anyone in need during the Great Depression, the apparent murder forces them to face the darker side of their community and question the motivations of family and friends. Backbreaking work keeps most of the townspeople busy from dawn to dusk, and racial tensions abound. For parents, it's a time when a better life for the children means sacrificing health, time, and every penny that can be saved. For a miner, returning home after work is a possibility, not a certainty. However, next to daily thoughts of death, exhausting work, and race are the lingering pleasures of sweet tea, feather beds, and lightning bugs yet to be caught.
From Publisher's Weekly
A tight-knit miner's family struggles against poverty and racism in Phillips's evocative first novel, set in Depression-era Alabama. Throughout, she moves skillfully between the points of view of miner father Albert, hard-working mother Leta, young daughter Tess and teenage daughter Virgie, and small son Jack. They see men who are frequently incapacitated or killed by accidents in the local mines; neighbors live off what they can grow on their patch of land; and blacks like Albert's fellow miner and friend Jonah are segregated in another part of Carbon Hill-and often hauled off to jail arbitrarily. When Tess witnesses a woman throwing a baby into their well, no one believes her until the dead child is found, and few are shocked. Tess, hounded by nightmares, and Virgie, on the cusp of womanhood and resistant to the thought of an early marriage to the local boys who court her, begin making inquiries of their own, visiting wives who've recently had babies and learning way more than they imagined. With a wisp of suspense, Phillips fully enters the lives of her honorable characters and brings them vibrantly to the page.
The non-fiction award went to David Sheff and Beautiful Boy: A Father's Journey Through His Son's Addiction.
Synopsis (from Barnes and Noble)
Sheff's story is a first: a teenager's addiction from the parent's point of view—a real-time chronicle of the shocking descent into substance abuse and the gradual emergence into hope. Before meth, Sheff's son Nic was a varsity athlete, honor student, and award-winning journalist. After meth, he was a trembling wraith who stole money from his eight-year-old brother and lived on the streets. With haunting candor, Sheff traces the first subtle warning signs, the denial (by both child and parents), the three A.M. phone calls (is it Nic? the police? the hospital?), the attempts at rehab, and, at last, the way past addiction. He shows us that, whatever an addict's fate, the rest of the family must care for each other too, lest they become addicted to addiction. Meth is the fastest-growing drug in the United States, as well as the most addictive and the most dangerous—wreaking permanent brain damage faster than any other readily available drug. It has invaded every region and demographic in America. This book is the first that treats meth and its impact in depth. But it is not just about meth. Nic's addiction has wrought the same damage that any addiction will wreak. His story, and his father's, are those of any family that contains an addict—and one in three American families does.
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1 comment:
Those both look good and I find it interesting that they both have black and white covers.
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